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c. 1445 – May 17, 1510. Italian painter.

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Peter Paul Rubens
The Judgment of Paris (mk27)

ID: 24379

Peter Paul Rubens The Judgment of Paris (mk27)
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Peter Paul Rubens The Judgment of Paris (mk27)


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Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.  Related Paintings of Peter Paul Rubens :. | Gemaldezyklus zum Leben Heinrich des IV. | Self-Portrait | Portrait of naked man | Madonna on Floral Wreath | The Judgment of Paris (mk27) |
Related Artists:
Thomas Charles Farrer
painted Mount Holyoke in 1865
siri derkert
Siri Derkert föddes i Stockholm 1888 som ett av sju barn till köpmannen Carl Edward Johansson Derkert, från 1904 endast Derkert, och Emma Charlotta Valborg, född Fogelin 1860. Hon utbildades vid Althins målarskola i Stockholm från 1904 och på Konstakademien 1911-1913. Därefter studerade hon konst i Paris på Academie Colarossi och Academie de la Grande Chaumiere tillsammans med Ninnan Santesson och Lisa Bergstrand (Elisabeth Bergstrand-Paulsson) fram till första världskrigets utbrott hösten 1914. Under och efter första världskriget vistades hon periodvis i Italien, där hennes första barn Carlo föddes. Siri Derkert studerade också vid den kvinnliga medborgarskolan som drevs av fogelstadgruppen. Till Fogelstad kom hon i september 1943 och denna vistelse inspirerade hennes konstnärskap. Hon gjorde bland annat flera skisser av de kvinnor som var verksamma på Fogelstad, däribland Honorine Hermelin och Ada Nilsson. Siri Derkert hade tre barn: sonen Carlo (1915-1994) med den finländske konstnären Valle Rosenberg (1891-1919) samt döttrarna Liv (1917-1938) och Sara (född 1920) med tecknaren och bokillustratören Bertil Lybeck (1887-1945). Med Lybeck var Siri Derkert gift mellan 1921 och 1925, men parterna levde inte tillsammans.
ZEILLER, Jakob Johann
German painter (b. 1708, Reutte, d. 1783, Reutte) Austrian painter. Trained initially by his father, Paul Zeiller (1658-1738), he subsequently studied in Italy (1723-32) with Sebastiano Conca and at the Accademia di S Luca in Rome, and with Francesco Solimena in Naples, then at the Kaiserliche Akademie in Vienna. From 1733 to 1743 he was a regular collaborator on Paul Troger's frescoes, contributing mainly architectural frameworks painted in the style of the Bolognese quadraturisti. He retained such frameworks in his own paintings throughout his life, even in south Germany where this was generally unusual. Troger's influence on the style of Zeiller's figures and on his iconographic repertory was such that his first independent works in Austria






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